refahz.blogg.se

1. #Best frame mirrorless camera 2018 full#
2. #Best frame mirrorless camera 2018 pro#
3. #Best frame mirrorless camera 2018 series#

The X-H1 can fire off up to 14 fps when using the electronic shutter or 8 fps with a mechanical shutter.

#Best frame mirrorless camera 2018 pro#

It incorporates a 24.3-megapixel APS-C-sized X-Trans CMOS III sensor and X-Processor Pro image-processing engine with a native ISO range of 200 to 12,800. The flagship X-Mount camera from Fujifilm is the company’s first with in-body image stabilization.

#Best frame mirrorless camera 2018 series#

And Post Focus compiles a series of images with various focus points selected to compile a focus-stacked image more easily. It offers 6K and 4K photo modes to isolate high-res still images from 30 fps video bursts. Panasonic’s dual image stabilization system, which combines the body stabilizer with select image-stabilized Panasonic lenses, delivers up to six and a half stops of image stabilization. It can crank at up to 20 fps with autofocusing or up to 60 fps with focus fixed on the first frame. The G9 features a 20-megapixel CMOS sensor with no low-pass filter and a third of a stop more dynamic range than the GH5. There’s a silent electronic shutter and Wi-Fi for wireless image transfers and remote control.

#Best frame mirrorless camera 2018 full#

You can record 4K/30p videos or full HD videos at up to 60 fps. It uses a contrast detection AF system with 49 points and face detection. It can burst at 10 fps for 33 RAW+JPEG images or up to 140 JPEGs. The CL boasts a 24-megapixel APS-C sensor with a native ISO range of 100 to 50,000. There’s a 3-inch touch display that can be pulled down below the camera for framing selfies and 121 contrast-detect autofocusing points for keeping subjects tack-sharp. You can record 4K movies (3840 x 2160) at 30p or full HD videos at 30p. It has internal three-axis image stabilization, good for up to three and a half stops of correction per CIPA standards. The PEN’s 16-megapixel Live MOS sensor offers a native ISO range of 200 to 6400 (expandable from 100 to 25,600). On the video side, the camera records 4K video at 15p or full HD at up to 60p. There’s a 3-inch touch display that swivels out horizontally almost 180 degrees.

The camera uses a 24-megapixel APS-C-sized image sensor with phase detection autofocusing and a native ISO range of 200 to 12,800 (expandable from 100 to 51,200). While the X-T100 is on the low-budget end of Fujifilm’s lineup, it uses AF algorithms written for its higher-end models. There are now 425 contrast AF points, compared to just 25 on the a7R II. It features 399 focal-plane phase-detection AF points that cover approximately 68 percent of the image area in both horizontal and vertical directions. With up to 15 stops of dynamic range and in-body image stabilization, with up to five and a half stops of correction, the a7R III is ready for low-light work. Though it uses the same 42-megapixel sensor found in the Mark II, a new processor doubles the a7R III’s continuous shooting speed to 10 fps. You’ll enjoy burst-shooting speeds up to 10 fps with autofocusing and a battery life of 710 shots per charge. A full 93 percent of the frame is covered by AF points, and there are a lot of them: 425 contrast AF points and 693 focal plane phase detect AF points. Thanks to this computational punch, you’ll enjoy a native ISO range of 100 to 51,200 (expandable from 50 to 204,800). It starts with a new 24-megapixel back-illuminated Exmor R CMOS sensor with up to 15 stops of dynamic range and a new front-end LSI and updated BIONZ X processor to improve and speed along image processing.

Ostensibly the entry-level model in Sony’s a7 full-frame family, the a7 III delivers plenty of pro-friendly features.